Centrifuge explores accumulation, rotation, and internal pressure. Built through layered gestures and repeated movement, each panel holds its own tension while remaining in dialogue with the others. The triptych format allows momentum to build and shift across the surface, suggesting compression, release, and return. I chose oil on canvas for its depth and responsiveness — the material carries both density and subtlety, allowing colour and gesture to remain active rather than fixed. The subject is not literal but experiential, inviting the viewer to feel movement rather than locate it, and to sit inside the rhythm of the work rather than resolve it.*